Progress so far this week:
- Writing: Goal 1,000 new words on 7th Tapestry. So far, only 400. But it's only Weds. NEW: Begin editing changes for Mothers Don't Die.
- Other Writing: Still to do: Mermaid Quilt to audiobook (post for voice actors on ACX). Paperback & Kindle format for updates still needed for Standing Stones; paperback updates not showing Years of Stone. These were supposed to be simple changes (showing latest books published). Blogging? Not yet on the writing blog.
- Community/Marketing. Read blogs x6. Completed 3 so far. Sent e-mail to coordinate next writers' group. Pending: newsletter, indie reviews x2.
- Other stuff: Reading James Scott Bell's Just Write and enjoying it very much. Working on a new comfort quilt. Really replenished the stash by visiting two Canadian quilt stores. Otherwise, too smoky out for much exercise (cough, cough).
In this excerpt from my romantic suspense WIP, The Seventh Tapestry (8 paragraphs for the month of August), curator Sandra Robertson visits Adelle Campbell about a potential donation to the Museum of Medieval Art in Edinburgh.
“I’d like to have you read two letters," said Adelle. "The first one, I’d just like your advice, perhaps your reaction. The second letter is of more interest to the Museum, I think.”
Sandra relaxed against the settee. “You’ve given me a wonderful tea. Of course, I’m happy to look at whatever you like.”
“This letter is from a Mr. Cochrane from London,” said Adelle. “He says he used to work for Sotheby's. Apparently, he knows about the Narwhal Cup, but I’m not sure how.” She paused. “He expresses great interest in other artifacts I may be interested in selling, but I don’t know.” She handed the letter to Sandra.
The first thing Sandra noticed was the very heavy paper and the letterhead at the top of the letter. “The letterhead certainly looks authentic. Cochrane Antiques. Has he been to see you?”
“Not yet. The letter says he would come up from London, but I just don’t know. What do you think?”
Sandra skimmed the letter. One sentence stood out to her, almost as if he were hinting that Mrs. Campbell would benefit more from selling to him than making donations to any museum. “He doesn’t mention affiliation with any museum. He may be representing private collectors,” said Sandra.
“I did call Sotheby's, but they’ve never heard of a Mr. Cochrane. Truly, I’d rather foster local relationships, and I’m so pleased you came over from Edinburgh.” Adelle opened a leather portfolio. “I would like you to read this letter as you asked me about provenance. Please put on these plastic gloves. Call me when you have finished.” She left the room quietly.
Sandra sat at the antique desk and stared at the letter. Written on yellowed vellum, the letter purported to be from the court of Francis I.
I work in the museum world! I love this!
ReplyDeleteNice to see your post this morning, and I'm pleased to have feedback from someone with a background in museums. I love spending hours in museums but never have thought about art crime . . . before this project.
DeleteHm, that's interesting. Leaves me with a lot of questions about just who this Mr. Cochrane is.
ReplyDeleteDon't they tell us we have to have bad guys? I'm trying to run the gamut from just sleazy to seriously dangerous. Thanks for visiting.
DeleteI think I might be suspicious too. Interesting snippet.
ReplyDeleteThanks for stopping by, Fallon. That's my goal -- to make readers curious and suspicious!
DeleteOoh, Mr Cochrane definitely sounds shady. Or are you trying to mislead us?! ;)
ReplyDeleteI work in the cultural sector too and provenance investigations give me a headache sometimes! I hope this letter might be fairly easy for Sandra to trace.